Show others how I hear myself











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Sooo .. i've been thinking about this stuff. We all know that we sound different from what we hear of our own voice. It is easy to find out how others hear us by recording oneself and listen to it.



But what about the other way around?



Is there a way to transform our voice in a way that others can hear us as we percieve our own voice? I find it to be a quite interesting question. Sadly I coudlnt find anything on the web after a couple google searches. Has nobody thought about this or is it impossible bc of some reason that i'm not seeing?



Any leads on this would be appriciated :).










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  • 4




    You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
    – Olli Niemitalo
    5 hours ago








  • 1




    I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
    – applesoup
    5 hours ago















up vote
7
down vote

favorite












Sooo .. i've been thinking about this stuff. We all know that we sound different from what we hear of our own voice. It is easy to find out how others hear us by recording oneself and listen to it.



But what about the other way around?



Is there a way to transform our voice in a way that others can hear us as we percieve our own voice? I find it to be a quite interesting question. Sadly I coudlnt find anything on the web after a couple google searches. Has nobody thought about this or is it impossible bc of some reason that i'm not seeing?



Any leads on this would be appriciated :).










share|improve this question







New contributor




Kevin Fiegenbaum is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
















  • 4




    You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
    – Olli Niemitalo
    5 hours ago








  • 1




    I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
    – applesoup
    5 hours ago













up vote
7
down vote

favorite









up vote
7
down vote

favorite











Sooo .. i've been thinking about this stuff. We all know that we sound different from what we hear of our own voice. It is easy to find out how others hear us by recording oneself and listen to it.



But what about the other way around?



Is there a way to transform our voice in a way that others can hear us as we percieve our own voice? I find it to be a quite interesting question. Sadly I coudlnt find anything on the web after a couple google searches. Has nobody thought about this or is it impossible bc of some reason that i'm not seeing?



Any leads on this would be appriciated :).










share|improve this question







New contributor




Kevin Fiegenbaum is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











Sooo .. i've been thinking about this stuff. We all know that we sound different from what we hear of our own voice. It is easy to find out how others hear us by recording oneself and listen to it.



But what about the other way around?



Is there a way to transform our voice in a way that others can hear us as we percieve our own voice? I find it to be a quite interesting question. Sadly I coudlnt find anything on the web after a couple google searches. Has nobody thought about this or is it impossible bc of some reason that i'm not seeing?



Any leads on this would be appriciated :).







signal-analysis audio transform






share|improve this question







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Check out our Code of Conduct.











share|improve this question







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asked 5 hours ago









Kevin Fiegenbaum

361




361




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Check out our Code of Conduct.






Kevin Fiegenbaum is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.








  • 4




    You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
    – Olli Niemitalo
    5 hours ago








  • 1




    I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
    – applesoup
    5 hours ago














  • 4




    You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
    – Olli Niemitalo
    5 hours ago








  • 1




    I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
    – applesoup
    5 hours ago








4




4




You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
– Olli Niemitalo
5 hours ago






You could make the problem as easy as possible: Make a recording of your speech that, when listened by you through headphones, sounds the same as your speech sounds to you when you speak in an anechoic chamber. Not sure how to do that.
– Olli Niemitalo
5 hours ago






1




1




I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
– applesoup
5 hours ago




I just wanted to propose exactly that. However, is it really necessary to exclude the influence of the room? The directivity of your voice as a sound source is surely a factor, but I think this method will probably work quite well if the recording is done in the same place as where the "adjustment procedure" takes place.
– applesoup
5 hours ago










2 Answers
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up vote
4
down vote













It is not impossible but it is not going to be a walk in the park too.



What you would be trying to do is to add to the voice signal, those vibrations that are delivered to the ear via the bones and are not accessible to anyone else.



But this is easier said than done in an accurate way.



Sound propagation through a medium depends very much on its density. Sound travels at ~1500m/s in water and with less dissipation than it travels in air (~340m/s). Bone is denser than air, therefore sound should travel faster through bone. This means that "your" sound begins to excite your ears first, followed by the sound that you perceive via the "normal" air channel. In reality, bone has an internal structure that might be affecting the way different frequencies pass through it but at the range of frequencies we are talking about, perhaps we can consider it as an equivalent solid. This can only be approximated because any attempt at measurement would have to be invasive but also because hearing is subjective.



Hearing, or the perception of sound is a HUGE contributor of difficulty here. The ear itself, the outer ear (the visible bit), the canal and the inner mechanism work together in very complicated ways. This is the subject of psychoacoustics. One example of this complex processing is phantom tones where the brain is filling in things that are supposed to be there. The brain itself may have already developed ways of isolating the self-generated signal that are inaccessible to us yet.



But, a simplistic (simplistic!) way to witness the differences between being the listener of your own sound and not is this:



Record a short and simple word (e.g. "Fishbone", a word that has both low frequencies (b,o,n) and high frequencies (F,sh,i,e)) with a bit of silence and loop it through an equaliser through your headphones. Start playback and synchronise your self uttering the word with the recording (so, something like "Fishbone...Fishbone...Fishbone..."). Now try to fiddle with the equaliser until what you hear and what you utter are reasonably similar.



At that point, the settings on the equaliser would represent the differences between the sound and what it is perceived through you and theoretically, any other speech passed through that equaliser would simulate how it arrives at your ears, as if you would have generated it with a source inside your body.



Hope this helps.






share|improve this answer




























    up vote
    2
    down vote













    The most practical attempt that I am aware of is by Won and Berger (2005). They simultaneously recorded vocalizations at the mouth with a microphone and on the skull with a homemade vibrometer. They then estimated the relevant transfer functions with linear predictive coding and cepstral smoothing.






    share|improve this answer








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      2 Answers
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      2 Answers
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      up vote
      4
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      It is not impossible but it is not going to be a walk in the park too.



      What you would be trying to do is to add to the voice signal, those vibrations that are delivered to the ear via the bones and are not accessible to anyone else.



      But this is easier said than done in an accurate way.



      Sound propagation through a medium depends very much on its density. Sound travels at ~1500m/s in water and with less dissipation than it travels in air (~340m/s). Bone is denser than air, therefore sound should travel faster through bone. This means that "your" sound begins to excite your ears first, followed by the sound that you perceive via the "normal" air channel. In reality, bone has an internal structure that might be affecting the way different frequencies pass through it but at the range of frequencies we are talking about, perhaps we can consider it as an equivalent solid. This can only be approximated because any attempt at measurement would have to be invasive but also because hearing is subjective.



      Hearing, or the perception of sound is a HUGE contributor of difficulty here. The ear itself, the outer ear (the visible bit), the canal and the inner mechanism work together in very complicated ways. This is the subject of psychoacoustics. One example of this complex processing is phantom tones where the brain is filling in things that are supposed to be there. The brain itself may have already developed ways of isolating the self-generated signal that are inaccessible to us yet.



      But, a simplistic (simplistic!) way to witness the differences between being the listener of your own sound and not is this:



      Record a short and simple word (e.g. "Fishbone", a word that has both low frequencies (b,o,n) and high frequencies (F,sh,i,e)) with a bit of silence and loop it through an equaliser through your headphones. Start playback and synchronise your self uttering the word with the recording (so, something like "Fishbone...Fishbone...Fishbone..."). Now try to fiddle with the equaliser until what you hear and what you utter are reasonably similar.



      At that point, the settings on the equaliser would represent the differences between the sound and what it is perceived through you and theoretically, any other speech passed through that equaliser would simulate how it arrives at your ears, as if you would have generated it with a source inside your body.



      Hope this helps.






      share|improve this answer

























        up vote
        4
        down vote













        It is not impossible but it is not going to be a walk in the park too.



        What you would be trying to do is to add to the voice signal, those vibrations that are delivered to the ear via the bones and are not accessible to anyone else.



        But this is easier said than done in an accurate way.



        Sound propagation through a medium depends very much on its density. Sound travels at ~1500m/s in water and with less dissipation than it travels in air (~340m/s). Bone is denser than air, therefore sound should travel faster through bone. This means that "your" sound begins to excite your ears first, followed by the sound that you perceive via the "normal" air channel. In reality, bone has an internal structure that might be affecting the way different frequencies pass through it but at the range of frequencies we are talking about, perhaps we can consider it as an equivalent solid. This can only be approximated because any attempt at measurement would have to be invasive but also because hearing is subjective.



        Hearing, or the perception of sound is a HUGE contributor of difficulty here. The ear itself, the outer ear (the visible bit), the canal and the inner mechanism work together in very complicated ways. This is the subject of psychoacoustics. One example of this complex processing is phantom tones where the brain is filling in things that are supposed to be there. The brain itself may have already developed ways of isolating the self-generated signal that are inaccessible to us yet.



        But, a simplistic (simplistic!) way to witness the differences between being the listener of your own sound and not is this:



        Record a short and simple word (e.g. "Fishbone", a word that has both low frequencies (b,o,n) and high frequencies (F,sh,i,e)) with a bit of silence and loop it through an equaliser through your headphones. Start playback and synchronise your self uttering the word with the recording (so, something like "Fishbone...Fishbone...Fishbone..."). Now try to fiddle with the equaliser until what you hear and what you utter are reasonably similar.



        At that point, the settings on the equaliser would represent the differences between the sound and what it is perceived through you and theoretically, any other speech passed through that equaliser would simulate how it arrives at your ears, as if you would have generated it with a source inside your body.



        Hope this helps.






        share|improve this answer























          up vote
          4
          down vote










          up vote
          4
          down vote









          It is not impossible but it is not going to be a walk in the park too.



          What you would be trying to do is to add to the voice signal, those vibrations that are delivered to the ear via the bones and are not accessible to anyone else.



          But this is easier said than done in an accurate way.



          Sound propagation through a medium depends very much on its density. Sound travels at ~1500m/s in water and with less dissipation than it travels in air (~340m/s). Bone is denser than air, therefore sound should travel faster through bone. This means that "your" sound begins to excite your ears first, followed by the sound that you perceive via the "normal" air channel. In reality, bone has an internal structure that might be affecting the way different frequencies pass through it but at the range of frequencies we are talking about, perhaps we can consider it as an equivalent solid. This can only be approximated because any attempt at measurement would have to be invasive but also because hearing is subjective.



          Hearing, or the perception of sound is a HUGE contributor of difficulty here. The ear itself, the outer ear (the visible bit), the canal and the inner mechanism work together in very complicated ways. This is the subject of psychoacoustics. One example of this complex processing is phantom tones where the brain is filling in things that are supposed to be there. The brain itself may have already developed ways of isolating the self-generated signal that are inaccessible to us yet.



          But, a simplistic (simplistic!) way to witness the differences between being the listener of your own sound and not is this:



          Record a short and simple word (e.g. "Fishbone", a word that has both low frequencies (b,o,n) and high frequencies (F,sh,i,e)) with a bit of silence and loop it through an equaliser through your headphones. Start playback and synchronise your self uttering the word with the recording (so, something like "Fishbone...Fishbone...Fishbone..."). Now try to fiddle with the equaliser until what you hear and what you utter are reasonably similar.



          At that point, the settings on the equaliser would represent the differences between the sound and what it is perceived through you and theoretically, any other speech passed through that equaliser would simulate how it arrives at your ears, as if you would have generated it with a source inside your body.



          Hope this helps.






          share|improve this answer












          It is not impossible but it is not going to be a walk in the park too.



          What you would be trying to do is to add to the voice signal, those vibrations that are delivered to the ear via the bones and are not accessible to anyone else.



          But this is easier said than done in an accurate way.



          Sound propagation through a medium depends very much on its density. Sound travels at ~1500m/s in water and with less dissipation than it travels in air (~340m/s). Bone is denser than air, therefore sound should travel faster through bone. This means that "your" sound begins to excite your ears first, followed by the sound that you perceive via the "normal" air channel. In reality, bone has an internal structure that might be affecting the way different frequencies pass through it but at the range of frequencies we are talking about, perhaps we can consider it as an equivalent solid. This can only be approximated because any attempt at measurement would have to be invasive but also because hearing is subjective.



          Hearing, or the perception of sound is a HUGE contributor of difficulty here. The ear itself, the outer ear (the visible bit), the canal and the inner mechanism work together in very complicated ways. This is the subject of psychoacoustics. One example of this complex processing is phantom tones where the brain is filling in things that are supposed to be there. The brain itself may have already developed ways of isolating the self-generated signal that are inaccessible to us yet.



          But, a simplistic (simplistic!) way to witness the differences between being the listener of your own sound and not is this:



          Record a short and simple word (e.g. "Fishbone", a word that has both low frequencies (b,o,n) and high frequencies (F,sh,i,e)) with a bit of silence and loop it through an equaliser through your headphones. Start playback and synchronise your self uttering the word with the recording (so, something like "Fishbone...Fishbone...Fishbone..."). Now try to fiddle with the equaliser until what you hear and what you utter are reasonably similar.



          At that point, the settings on the equaliser would represent the differences between the sound and what it is perceived through you and theoretically, any other speech passed through that equaliser would simulate how it arrives at your ears, as if you would have generated it with a source inside your body.



          Hope this helps.







          share|improve this answer












          share|improve this answer



          share|improve this answer










          answered 5 hours ago









          A_A

          7,04431630




          7,04431630






















              up vote
              2
              down vote













              The most practical attempt that I am aware of is by Won and Berger (2005). They simultaneously recorded vocalizations at the mouth with a microphone and on the skull with a homemade vibrometer. They then estimated the relevant transfer functions with linear predictive coding and cepstral smoothing.






              share|improve this answer








              New contributor




              StrongBad is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
              Check out our Code of Conduct.






















                up vote
                2
                down vote













                The most practical attempt that I am aware of is by Won and Berger (2005). They simultaneously recorded vocalizations at the mouth with a microphone and on the skull with a homemade vibrometer. They then estimated the relevant transfer functions with linear predictive coding and cepstral smoothing.






                share|improve this answer








                New contributor




                StrongBad is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
                Check out our Code of Conduct.




















                  up vote
                  2
                  down vote










                  up vote
                  2
                  down vote









                  The most practical attempt that I am aware of is by Won and Berger (2005). They simultaneously recorded vocalizations at the mouth with a microphone and on the skull with a homemade vibrometer. They then estimated the relevant transfer functions with linear predictive coding and cepstral smoothing.






                  share|improve this answer








                  New contributor




                  StrongBad is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
                  Check out our Code of Conduct.









                  The most practical attempt that I am aware of is by Won and Berger (2005). They simultaneously recorded vocalizations at the mouth with a microphone and on the skull with a homemade vibrometer. They then estimated the relevant transfer functions with linear predictive coding and cepstral smoothing.







                  share|improve this answer








                  New contributor




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                  share|improve this answer



                  share|improve this answer






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                  answered 1 hour ago









                  StrongBad

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                  1412




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